Abstract

This essay theorises what ‘unmotherhood’—or, living outside of motherhood—means within the specific context of ‘the modern’. Unmotherhood is an actively constructed state; it is explored through the parameters of agentive choice, social pressure and state control; and at the turn-of-the-20th-century novels articulate this state through specific vocabularies of contemporaneous phenomena of modernity. I look to four novels representative of four forms of unmotherhood: Tess Slesinger’s The Unpossessed depicts a somewhat voluntary abortion; H.D.’s Asphodel (and its sister novel Bid Me to Live) are fictional representations of the author’s own stillbirth; Jean Rhys’s Good Morning, Midnight depicts a woman’s life in the wake of her newborn son’s death and Nella Larsen’s Quicksand is a narrative dependent on the protagonist’s refusal to marry because of her equation of marriage with conception. Reading these narratives together affords us the opportunity to consider what ‘unmotherhood’ means as a constructed state in and of itself, beyond the presumed negative, passive state of the ‘not’ or the ‘not yet’. Through this analysis, I define ‘unmotherhood’ as: (1) a state mediated through medical knowledge, objects, spaces and authority figures; (2) an experience narrated through vocabularies pulled from phenomena closely associated with 20th-century modernity and (3) a role dynamically shaped through compulsory heterosexuality embedded in familial relationships. In these three ways, my analysis of the selected novels defines unmotherhood as a permanent, transient, chosen, enforced and—contradictory as it all may be—a legible and definable experience.