RT Journal Article
SR Electronic
T1 Picasso’s bodies: representations of modern society?
JF Medical Humanities
JO J Med Humanit
FD BMJ Publishing Group Ltd and Institute of Medical Ethics
SP 89
OP 93
DO 10.1136/jmh.2009.001719
VO 35
IS 2
A1 A Borsay
YR 2009
UL http://mh.bmj.com/content/35/2/89.abstract
AB During the course of a long artistic career, the work of Pablo Picasso (1881–1973) passed through a number of stages. This article concentrates on his representation of the human body prior to the First World War. Three paintings are used to illustrate the transition from social realism to the Blue period and Cubism: Science and Charity (1897); Tragedy (1903); and Seated Nude (1909/10). They are interpreted through the lens of Arthur C Danto's concept of the “art world”, which subsequent theorists have elaborated to capture the historical context as well as the aesthetic form and biographical detail that preoccupied traditional critics. Therefore, the analysis not only embraces colour, perspective and significant events in Picasso's life but also early 20th century politics and ideology, science and medicine. In this way, the synergies that exist between cultural artefacts and the body are demonstrated, and the interdisciplinary understanding of health and healthcare that medical humanities promote is endorsed.